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Post by ian on Aug 5, 2019 13:38:54 GMT -5
There is a pic in my book from a few weeks later of Brian and Greg shady-who used to post a lot on the smiley board
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Post by SMiLE-Holland on Sept 6, 2019 4:05:22 GMT -5
Grand Gala Du Disque Populaire February (24th and) 25th 1972 Finally getting back on this performance. On page 4 I have already posted a few pictures of the performance, including one of one of the rehearsals, the audio recording of the TV-broadcast, and also some info on the Toppop broadcast which was recorded on the 24th, and broadcasted in May 72. Here's more info on the group's short stay in The Netherlands on February 24th and 25th, starting with some newspaper announcements. Based on these articles I'll be making a few small corrections on the notes from Keith Badman's book. I'll start with a few articles regarding the upcoming GGDD show. As one could expect these articles are dealing with the show as a whole, so it's not just about the Beach Boys, but it gives some insight in the program and the preparations for it. Leeuwarder Courant, 22/02/1972 Elite of international artists at the Grand Gala Du Disque
Leeuwarder Courant, 25/02/1972 GRAND GALA DU DISQUE De Telegraaf, 23/02/1972 Vips at the gala New Beach Boys to The Netherlands Author: Jip Golsteijn
Limburgs Dagblad, 25/02/1972 Grand Gala is allowed to run late until one o’clock at night on television this evening Author: Harry Cremers
De Volkskrant, 25/02/1972Grand Gala is coming after exciting days of rehearsal
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Post by SMiLE-Holland on Sept 6, 2019 4:29:50 GMT -5
Grand Gala rehearsals, February 24th 1972 The picture above (also posted on page 4 of this topic) shows the boys – including Ricky and Blondie – during their rehearsals for the Grand Gala performance. Keith Badman mentions rehearsals on both February 24th and 25th. Based on an article in Het Vrije Volk (published a month after the GGDD) with some information on the Grand Gala rehearsal (see below) it is safe to assume that this picture was taken during the rehearsal that took place the day before the Grand Gala itself. The article mentions that Al and Mike only arrived at the last moment (coming back from a meditation meeting in Spain). Both Al and Mike indeed are absent on this picture. As all band members were present for their performance at Toppop later that day (also posted on page 4 of this topic), and the Grand Gala party on the 25th that was held during the day before the evening show (mentioned in another article, I'll post later on). A quick visit to Spain and back on the 24th/25th seems out of the question. So one can only come to the conclusion that this picture was taken on February 24th. This also means that Blondie was already in The Netherlands on the 24th (although he didn’t take part in the Toppop performance later that day). Het Vrije Volk, 24/03/1972 Beach boys miss the boat
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Post by SMiLE-Holland on Sept 6, 2019 7:19:37 GMT -5
Photo session afternoon February 25th Badman mentions a photo session with the group took place on the 24th, a day before the GGDD performance. Based on a review in De Tijd – Dagblad van Nederland about the Grand Gala party, that was held during the day before the evening show (posted below), we now know an impromptu photo session was held after the party. It is specifically mentioned the group was standing against the wall of the RAI Congresgebouw. The pictures on this and next pages indeed shows the guys standing against a wall. Assuming this is indeed part of the RAI Congresgebouw we can now date these pictures on the 25th. Pictures of this session were posted previously on this topic (pages 4 again). These pictures were taken by Gijsbert Hanekroot, a Dutch photographer that was very active in the 60ies and 70ies. If you google his name you'll find his website with includes pictures of many celebreties - both national and international - he has made.
De Tijd – Dagblad van Nederland, 26/02/1972 The Beach Boys meditate Grand Gala du disque, an exhausting feast Author: Susanne Piet
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Post by SMiLE-Holland on Sept 6, 2019 7:54:20 GMT -5
For the curious fans among us, here's the translation of the Beach Boys' introduction by Willem Duys. The complete audio recording including this introduction can be found on YouTube (and page 4 of this topic).
And for the real fanatics among us, here's the complete program of the GGDD 1972. I found this list on the www. Apparently recordings of most if not all performances are somehow available.
And if you haven't dropped out of this topic by now, for the real die-hards, here's an overview of the Edisons that were awarded in 1971 and presented during this evening. Nope no Beach Boys in this list, but they would receive one for their 1971 Surf's Up album a year later. More about that in a future topic...
More to come...
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Post by craigslowinski on Sept 6, 2019 9:52:20 GMT -5
Thanks for the fantastic research & info, SMiLE-Holland!
Regarding this: "As was the case with the Beach Boys’ music. Because the ultimate performance turned out to be nothing but a embarrassment. "
Not sure how the reviewer could have come to this conclusion...audio tapes of the BBs performance indicate it was fine, very much in keeping with their other performances of the era.
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Post by filledeplage on Sept 6, 2019 9:59:13 GMT -5
Thanks for the fantastic research & info, SMiLE-Holland! Regarding this: "As was the case with the Beach Boys’ music. Because the ultimate performance turned out to be nothing but a embarrassment. " Not sure how the reviewer could have come to this conclusion...audio tapes of the BBs performance indicate it was fine, very much in keeping with their other performances of the era. Are the audio tapes available? Reviewers always come with biases.
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Post by SMiLE-Holland on Sept 6, 2019 11:02:35 GMT -5
Thanks for the fantastic research & info, SMiLE-Holland! Regarding this: "As was the case with the Beach Boys’ music. Because the ultimate performance turned out to be nothing but a embarrassment. " Not sure how the reviewer could have come to this conclusion...audio tapes of the BBs performance indicate it was fine, very much in keeping with their other performances of the era.
Apparently not up to his taste. A personal view I guess.
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Post by SMiLE-Holland on Sept 6, 2019 11:03:35 GMT -5
Thanks for the fantastic research & info, SMiLE-Holland! Regarding this: "As was the case with the Beach Boys’ music. Because the ultimate performance turned out to be nothing but a embarrassment. " Not sure how the reviewer could have come to this conclusion...audio tapes of the BBs performance indicate it was fine, very much in keeping with their other performances of the era. Are the audio tapes available?
Yep, check page 4 of this topic to find a link on YouTube with the complete audio recording of the performance.
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Post by filledeplage on Sept 6, 2019 11:17:06 GMT -5
Are the audio tapes available?
Yep, check page 4 of this topic to find a link on YouTube with the complete audio recording of the performance.
Thank you, as always, SMiLE-Holland. And, my bad - I had listened to them - I thought it might be brand new to my ears!
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Post by John Manning on Sept 6, 2019 16:46:55 GMT -5
Thanks for the fantastic research & info, SMiLE-Holland! Regarding this: "As was the case with the Beach Boys’ music. Because the ultimate performance turned out to be nothing but a embarrassment. " Not sure how the reviewer could have come to this conclusion...audio tapes of the BBs performance indicate it was fine, very much in keeping with their other performances of the era.
Apparently not up to his taste. A personal view I guess.
Is it safe to assume he was maybe expecting Surfin’ USA, FFF, Vibes and Rhonda? The four songs played are all a leap beyond that stuff and unfamiliarity might have led to contempt. That version of Surf’s Up is outstanding. Carl’s vocal is transcendent, the backing vocals tasteful and subdued and the entirety is exquisite. I hope that this recording still exists in soundboard quality and that it will one day soon have a properly remixed and mastered official release, maybe as part of the eagerly anticipated (and hoped for) 2021 Surf’s Up CopEx release.
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Post by sneakypete77 on Sept 7, 2019 12:17:30 GMT -5
Once again Klaas, you've come up with the goods, and thank you for all your hard work.
The GGDD seemed to be the European answer to the Grammy Awards, and the line-ups that are mentioned in those articles are very impressive. However, I would probably take the first publication to task for declaring Middle Of The Road to be a world famous group - in my book Chirpy Chirpy Cheep Cheep doesn't bestow legendary status on anyone.
Jip Golsteijn was regarded as the most influential rock journalist in The Netherlands back then, but I'm left wondering if he was also an enthusiastic fan of Nick Kent. He makes a good fist of a Beach Boys bio but then out of nowhere he feels the need to fat-shame Brian and Carl, which I thought was a bit harsh. He does, however, make up for that in his description of Jerry Garcia as "the brain-leader" of The Grateful Dead - I'd like to think that Jerry would have loved that, maybe even getting Rob Hunter to pen some lyrics to a song with that title. Of course it might be that Jerry was considered the mastermind behind the Dead, and that something was lost in translation?
I agree with everyone else that the band's performance of Surf's Up was mesmerising - perhaps the writer of that particular piece wasn't familiar with their newer stuff and was disappointed with the choice of material?
Finally, seeing the TV listings of Tweede Net (Second Channel) showing the ancient Brit soap "Coronation Street" at 19.05 that night took me back to when I first had a holiday abroad in 1968. I was only 15 and with my parents and grandparents, and one early evening we found ourselves in the very pretty town of Sluis in western Holland. Ending up in the pub, I was able to buy a beer (the Dutch have always been much more relaxed about such things) and managed to chat with some of the locals. Suddenly the talking all stopped and everyone turned their seats around to watch the TV on the wall above the bar, because "Coronation Street" was starting. And woe betide anyone else in the room who disturbed their viewing. You've just got to love the Dutch, wonderful people.
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Post by SMiLE-Holland on Sept 8, 2019 1:17:50 GMT -5
Apparently not up to his taste. A personal view I guess.
Is it safe to assume he was maybe expecting Surfin’ USA, FFF, Vibes and Rhonda? The four songs played are all a leap beyond that stuff and unfamiliarity might have led to contempt. That version of Surf’s Up is outstanding. Carl’s vocal is transcendent, the backing vocals tasteful and subdued and the entirety is exquisite. I hope that this recording still exists in soundboard quality and that it will one day soon have a properly remixed and mastered official release, maybe as part of the eagerly anticipated (and hoped for) 2021 Surf’s Up CopEx release.
That's my interpretation as well, with perhaps Pet Sounds also in his favorites list. Or perhaps the loud rendition of SDT was not what he had expected.
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Post by SMiLE-Holland on Sept 8, 2019 1:25:11 GMT -5
Once again Klaas, you've come up with the goods, and thank you for all your hard work.
The GGDD seemed to be the European answer to the Grammy Awards, and the line-ups that are mentioned in those articles are very impressive. However, I would probably take the first publication to task for declaring Middle Of The Road to be a world famous group - in my book Chirpy Chirpy Cheep Cheep doesn't bestow legendary status on anyone.
Jip Golsteijn was regarded as the most influential rock journalist in The Netherlands back then, but I'm left wondering if he was also an enthusiastic fan of Nick Kent. He makes a good fist of a Beach Boys bio but then out of nowhere he feels the need to fat-shame Brian and Carl, which I thought was a bit harsh. He does, however, make up for that in his description of Jerry Garcia as "the brain-leader" of The Grateful Dead - I'd like to think that Jerry would have loved that, maybe even getting Rob Hunter to pen some lyrics to a song with that title. Of course it might be that Jerry was considered the mastermind behind the Dead, and that something was lost in translation?
I agree with everyone else that the band's performance of Surf's Up was mesmerising - perhaps the writer of that particular piece wasn't familiar with their newer stuff and was disappointed with the choice of material?
Finally, seeing the TV listings of Tweede Net (Second Channel) showing the ancient Brit soap "Coronation Street" at 19.05 that night took me back to when I first had a holiday abroad in 1968. I was only 15 and with my parents and grandparents, and one early evening we found ourselves in the very pretty town of Sluis in western Holland. Ending up in the pub, I was able to buy a beer (the Dutch have always been much more relaxed about such things) and managed to chat with some of the locals. Suddenly the talking all stopped and everyone turned their seats around to watch the TV on the wall above the bar, because "Coronation Street" was starting. And woe betide anyone else in the room who disturbed their viewing. You've just got to love the Dutch, wonderful people.
Nowaday I don't think MotR would be remembered as world famous, but at the time they were apparently 'hot', that is; in The Netherlands perhaps.
Never realised Golsteijn was known that well outside The Netherlands btw.
And funny how you also noted other things like the programming on TV at the time. When I searched through these Dutch newspapers, I'd often scan the rest of the page as well to see what else happened in the world.
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Post by SMiLE-Holland on Sept 8, 2019 1:52:46 GMT -5
Thanks for the kind words To end this series on the Grand Gala Du Disque 1972, here's 2 more articles; a review of the main show (with only a minimal mentioning of the BB), and an interview with Mike Love taken on the 24 th or 25 th. Leeuwarder Courant, 26/02/1972 Grand Gala not very interesting before the break (eye and ear) Author: Nico Scheepmaker
De Tijd – Dagblad van Nederland, 29/02/1972 Mike Love of the Beach Boys From “Fun, Fun, Fun” to poisoning of environment and mind Author: Susanne Piet
So that's GGDD for now. I'm not done yet with this topic. I'll be back with more articles, and reviews regarding the BB in the Netherlands.
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Post by SMiLE-Holland on Dec 30, 2019 9:32:22 GMT -5
In addition to the pictures of the Grand Gala Du Disque performance I posted earlier (page 4), here's another one I recently found in a Dutch book on the history of the Dutch Edison awards.
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Post by SMiLE-Holland on Dec 30, 2019 9:42:30 GMT -5
And here's another picture from the same book from at about a year later. I'll post more information about it shortly. The book is called "50 Jaar Edison - de geschiedenis van de muziekprijs van Nederland" (translated: "50 Years Edison - the history of the music awards of The Netherlands")
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Post by SMiLE-Holland on Jan 13, 2020 8:32:32 GMT -5
Still trying to finish a new batch of articles ... (I hadn't realised my spare time was THAT limited these days)...
In the mean while, here's a few more pictures of the GGDD performance (one I posted earlier, but this one is in better quality)
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Post by SMiLE-Holland on Jan 13, 2020 8:44:02 GMT -5
Switching to 1972 again (still busy translating articles regarding the December 1970 shows)…
A footnote only perhaps. Shortly before their return to the U.S. on August 3rd a couple of Beach Boys (plus a few other familiar faces) were present at a farewell/beach party at the Pier of Scheveningen, near The Hague. This is mentioned in Badman’s book.
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Another picture in better quality. From th August 3rd 1972 farewell party in Scheveningen.
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Post by calicoskies on Jan 17, 2020 12:51:10 GMT -5
Bonus pictures: Geographically not a Dutch concert, although a lot of people do speak Dutch there. :-) Here’s some pictures of (one of) the Brussels concert on December 21st. There’s little to no info on that concert – still waiting for the Belgians to open their digital newspaper archives as well.
Source: www.memoire60-70.be/Chronique_1966_1972/Rockstars_1970_1972.htm
The last picture shows Carl, Ricky, and Dutch singer Jerney Kaagman. Jerney Kaagman was the lead singer of the Dutch prog group Earth & Fire. At first I doubted they were a support act that day; The Flame had that spot already. So I can’t tell what the occasion was of her presence there. Nice to see that even Ricky sang along. But according to the “Universal Music Legends” page on Facebook Earth & Fire WERE the (or “a”) support act, so who knows…
For you folks, some lovely backstage pictures taken with a friend named Michelle right after the Beach Boys' concert in Brussels, December 1970, and one of Dennis onstage. I have asked her to look at her original negatives if she can find them, there may be more treasures hidden there. Sadly, she didn't make any picture of their yellow taxi ride with the boys or during the time they all spent in a couple of cafés where, she remembers, Mike was drinking mi
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Post by SMiLE-Holland on Jan 19, 2020 10:12:46 GMT -5
Phillipe, thanks so much for sharing these pictures. There's Bruce's red jacket again. And Dennis shirt is interesting as well. A radio Veronica shirt. I wonder when he got that one. Bruce visited the Veronica studio on Dec. 15th, but as far as I know, the other guys didn't when they arrived. So either Bruce got a couple of those on the 15th. Or someone from Radio Veronica was able to hand out them during the band's stay there a few days later (Dec. 18-20th). He even wore it on stage. Somehow I'd wish to find a shirt like that...
Again thanks for sharing. Of course I'd like to see more pictures, but if your friend Michelle would like to share some of here recollections from that day and evening, that would be great too! And now with the passing of Steve Fataar of the Flame(s) yesterday, I'm curious if she made pictures of the Flame or if she spoke with them afterwards as well.
O, and I assume Mike was drinking milk ?
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Post by calicoskies on Jan 22, 2020 5:28:43 GMT -5
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Post by SMiLE-Holland on Feb 12, 2020 5:04:58 GMT -5
And here's another picture from the same book from at about a year later. I'll post more information about it shortly. The book is called "50 Jaar Edison - de geschiedenis van de muziekprijs van Nederland" (translated: "50 Years Edison - the history of the music awards of The Netherlands")
And finally here we go again with a next chapter on the BB history with the Netherlands. The Dutch Edison award 1972 for the Surf’s Up album (awarded on March 9th 1973)
The Edison Award is an annual Dutch music prize awarded for outstanding achievements in the music industry. It is one of the oldest music awards in the world. The first Edisons – named after the inventor of the phonograph, Thomas Alva Edison – were awarded in October 1960 at the inaugural Grand Gala du Disque.
In 1972 The Beach Boys received an Edison for their Surf’s Up album (released in late 1971, just too late for the Edison 1971 awards). This wasn’t the first time the group had won this award. In 1967 they received their first Edison in the category pop for their Pet Sounds album. On the main Edison-page on Wikipedia a 3rd award is mentioned, but a search through the annual award list doesn’t make clear when and for which album (or occasion) that would have been. There might have been some confusion concerning their 1972 performance at the Grand Gala Du Disque. They didn’t receive an award that year though.
And there would have been another award in 1966, if it hadn’t been for a riot prior to the official announcement. In 1966 no Edisons were awarded in the category light music. This was the result from the commotion caused by a May 1966 article in the Telegraaf newspaper, which prematurely mentioned a list of winners, one of which was the Beach Boys (for the category international teenage music - an album isn’t mentioned).
The Edisons 1972 were announced on October 19th that year. For the first time since the Edisons were introduced though, they weren’t presented during a Grand Gala Du Disque. Despite its undiminished popularity – the 1972 edition attracted 6,7 million viewers – the joint recording business scrapped their financial support for this event.
Instead of during the Grand Gala, the Edisons were presented in a special edition of the Willem Duys show ‘Voor de Vuist Weg’ [“Off The Cuff”]. During that same period, an alternative Grand Gala Du Disque was organized by broadcasting Company VARA; the Popgala ’73. This show focused on pop- and rock bands like The Who, Supersister, The Eagles and Rod Stewart. Although this festival was a reasonable success it turned out to be the this one Popgala. In 1974 the Grand Gala Du Disque returned for one last time. And oddly, the Edison’s weren’t awarded that year and in the two years that followed. The Edison would return in 1977 though and despite a few other years they weren’t awarded, the Edison still exists, although the ceremony format, the number of categories and prizes have changed over the years.
1. Newspaper announcements Edison winners October 1972 Getting back to the Edison award for the Surf’s Up album. In October 1972 the winners of the annual awards were announced. Several newspapers made notice of this. A couple of short articles are shown here. One of the announced winners were the Beach Boys. Although it probably also was made public for which album the artists got their award, those weren’t mentioned here. And also not mentioned was whether or not there would be a TV-show, or other event in which the Edisons would be awarded to the winners.
2. Newspaper announcements awarding Edison in “Voor De Vuist Weg” As there was no GGDD in 1973, it was decided (probably by Willem Duys himself) that instead the winners of 1972 got their Edison awarded in a special edition of his “Voor De Vuist Weg” [“Off The Cuff”] talk show on March 9th of 1973. It is unclear whether this was decided at the last moment or that it had taken some preparation. Not all winners were present or had sent a representative, especially regarding the international winners. This wasn’t an exception by the way; it hadn’t been really different in previous years. But still it must have taken some preparation time to make a definite list of attendees present for the awarding. The first article that could be found on the broadcast of the Edison edition of “Voor de Vuist Weg” was dated as early as March 3rd. And Carl’s presence is specifically mentioned.
To be continued...
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Post by SMiLE-Holland on Feb 12, 2020 5:17:59 GMT -5
The Dutch Edison award 1972 for the Surf’s Up album (awarded on March 9th 1973)
PART 2 3. Stan Love’s SMiLE-memo According to Keith Badman the visit to The Netherlands was a quite sudden one. If we have to believe this timeline, their 1973 had just started on March 8th when Stan Love, their then-assistant manager, announced to the group that they were supposed to have delivered the SMiLE-album no later than May 1st as part of their Warner contract, and that a penalty of $50.000 would be deducted from the group from any advance to the group after that date. It also mentioned that at it was pretty much immediately decided that Carl would fly over to The Netherlands to discuss this matter with their manager Jack Rieley. And that Carl – at the last minute – also ‘happily’ accepted an invitation to receive their Edison award there. The visit would turn out to be a lightning visit as immediately after the TV-broadcast, Carl flew back to rejoin the tour.
But there’s more than one error in that timeline. - Ian Rusten’s and Jon Stebbins’s “In Concert” book show a drastically different live schedule, the first concert of 1973 starting on March 16th at the University of California, Riverside (CA). In fact the whole timeline for the month March is totally different compared to the one in Keith Badman’s book. Ian’s intensive research has proved that the concert dates and locations during this tour in Badman’s book were inaccurate.
- Carl’s trip to The Netherlands most probably wasn’t on the 9th. That is, the departure time. If one takes a look at the script for “Voor de Vuist Weg” (see paragraph 4), one can see that the rehearsal was planned in the morning and early afternoon on March 9th, with Carl’s rehearsal being planned at around 13PM. If Carl really made that appointment in time (taking into account a 9 hour time difference between California and The Netherlands it’s impossible to depart from LAX on the 9th.
- Stan Love’s memo on the expiration date regarding the delivering of the SMiLE album is also mentioned in Dominic Priore’s book “The Story of Brian Wilson’s Lost Masterpiece SMiLE”, although no specific date is mentioned (somewhere in March 1973). March 8th might be correct, but it certainly wasn’t the main reason for Carl to travel to The Netherlands, as the newspaper announcements regarding Carl’s presence at “Voor de Vuist Weg” was announced way earlier. It was more likely a convenient coincidence that Carl was travelling off to The Netherlands anyway, and the SMiLE-case could also be discussed with Rieley.
Continuing on that third error. Stan’s memo regarding SMiLE might not have been the main topic to discuss with Jack Rieley at all. Several books on the Beach Boys (a.o. Byron Preiss) mention that Rieley was fired in the Spring of 1973. And also mentioned was that Carl came over to The Netherlands to deliver him that message personally. It is assumable that this happened on March 9 th or 10 th (also assuming that Carl did fly back immediately after the Edison awarding). I can’t make this assumption certain though. On Andrew Doe’s Bellagio website it is mentioned on the 1973 timeline that the deadline for the delivery of the SMiLE tapes was as early as January 1973, and Jack Rieley’s dismissal in the Fall of 1973. This information is based on an interview Andrew Doe had with Jack Rieley himself in 1982. In that case Carl’s visit to The Netherlands for the Edison award might have combined with a visit to Rieley to discuss business matters, but the SMiLE deadline of his management was probably not up for debate then. But it is certain that – with a new tour starting only halfway March – there was no question of a sudden hastily arranged quick visit of Carl to The Netherlands on March 9 th. (Andrew, feel free to comment of add info if you like ! )
4. Script “Voor De Vuist Weg”, March 9th 1973 Let’s have a look at the broadcast of “Voor de Vuist weg”. The scans below show the original script for the rehearsals and the broadcast. It contains general information on the program (above-right), a rehearsal schedule for March 8th and 9th (center-left), and the make-up schedule (center-right). Way below the front page with the recording schedule is shown. For each guest a separate page was added to the script. Unfortunately “Carl’s” page only gives us minimal information: “Conversation at the table with Carl Wilson + awarding Edison”. Obviously there could be no performance of the group. And the only known review of this event (see paragraph 7) confirms that there was only an interview with Carl. 5. Winners Edison 1972 For those interested, the list below shows the complete list of winners of an Edison award (popular music) in 1972.
International Frans chanson: Michel Legrand voor Michel Legrand Jazz: Quincy Jones for Dollars Vocaal: Léo Ferré for La Solitudine Pop: The Kinks for The Muswell Hillbillies Pop: Beach Boys for Surf's Up Pop: David Bowie for Hunky Dory Pop: J.J. Cale for Naturally Pop: Ry Cooder for Into the Purple Valley Pop: Neil Diamond for Stones Pop: Van Morrison for Tupelo Honey Pop: Harry Nilsson for Nilsson Schmilsson Pop: Paul Simon for Paul Simon Soundtrack: Isaac Hayes for Shaft Vocaal: Roberta Flack for Quiet Fire Pop: Stampeders for Stampeders"
National Cabaret: Neerlands Hoop in Bange Dagen for Weerzien in Panama Jeugd: Pippi Langkous (soundtrack) Vocaal: Gerard Cox for Vrijblijvend Vocaal: Gert & Hermien for Gert & Hermien Vocaal: Jasperina de Jong for De Jasperina Show Pop: Mouth & MacNeal for Mouth & MacNeal Jazz: Rita Reys for Sings Burt Bacharach Pop: Supersister for To The Highest Bidder Pop: Cornelis Vreeswijk for De nozem en de non
Again, to be continued...
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Post by SMiLE-Holland on Feb 12, 2020 5:37:01 GMT -5
6. Publicity shot, March 9th 1973ANP (Algemeen Nederlands Persbureau= General Dutch Press agency) released the picture shown below of the winners that showed up at “Voor de Vuist Weg”. From left to Right: Standing: Cornelis Vreeswijk, Paula Majoor, Mouth [of Mouth & McNeal], Hermien [Timmerman, of Gert & Hermien], Gert Timmerman [of Gert & Hermien], Rita Reys, Ronnie King [of the Stampeders], Kim Berly [of the Stampeders], Rich Dodson [of the Stampeders], Carl Wilson. Kneeled: McNeal [of Mouth & McNeal], Gerard Cox.
Sitting: Willem Duys (host of the show)
7. Reviews Actually only one review on the broadcast. The other articles are nothing more than a mentioning of the event with the ANP-picture added. The review by the way wasn’t too favorable about the broadcast (and as the scan that is available wasn't done perfectly, I wasn't able to translate a few words or sentences).
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